The Reference
The ReferenceWe are not a “new museum”. We are the first and last reference for the architecture of Iraq, from the ziggurat of Ur to Zaha Hadid. Everything else is measured against us.
A journey through the architecture of Iraq, from an enduring monument to a renewed vision.
Seven thousand years of building, shown in model, drawing and record. Here, three hours to visit. A lifetime to comprehend.
What we stand onThe museum’s identity in motion: the Kufic form assembles and the name takes shape. The opening date will be announced through the museum’s official channels.
The building is the first object on display. It is drawn in a single line, as every building is drawn before it is built. Drag to watch the line become stone, wood and copper.
Plan
Built
INMA — Where Iraq remembers how to be the teacher again.
The museum stands on these three, or it does not stand.
We are not a “new museum”. We are the first and last reference for the architecture of Iraq, from the ziggurat of Ur to Zaha Hadid. Everything else is measured against us.
Everything shown at INMA is made by hand and digitally in the workshop. No imports, no shortcuts, no imitation. Craft is what sets us apart from any other project.
We speak of Iraq without pity and without exaggeration. What we have is enough. Authority comes from reality, not from effects.
The museum is built from the vocabulary of Iraqi architecture itself: a stone façade, pointed arches, timber shanasheel from the houses of Baghdad and Basra, and a copper tower that spirals upward as the Malwiya does.
01The mass of the façade, in the colour and substance of the land.
02Tall windows under pointed arches: the inheritance of Abbasid building, which used the pointed arch to carry heavy loads.
03Carved timber bays from the tradition of Baghdad and Basra: shade, breeze and privacy.
04A rising spiral that recalls the Malwiya of Samarra, carrying the museum’s name in Kufic script.
Ten landmarks drawn in the museum’s single-line language. We do not show a landmark as a picture; we read it as a solution. Arranged in time, from the ziggurat to the clock tower. Select a card to read its story.
From the alluvial plain of the south to the hills of the north: choose a landmark on the map, or start the “Tour through time” to follow the ten landmarks from the oldest to the most recent. Locations are approximate.
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Each landmark is shown as a model made in the museum’s workshop, beside its engineering drawing and its historical record. The halls run in chronological order: white, quiet galleries that leave the word to the object.
Architectural visualisation













Studies of objects for the halls, shown here as architectural visualisations.
A miniature made by hand in the workshop, at a single scale, readable from every side.
An engineering drawing in a single line, as a building is drawn before it is built.
Date, source and measure. A number and a fact, with no exaggeration.
From the first farming villages, twelve thousand years ago, to the architecture of today. Dates for the ancient eras are approximate, as the archaeological record allows.
Ten architects documented by name, from Gudea of Lagash to Zaha Hadid. A figure is listed when he or she is a known architect recorded in the sources. Select a portrait to read more.
Thirty-two episodes of about five minutes each: twenty-two architectural eras and ten documented architects, in chronological order. The scripts are ready for filming.
From the archive to the audio guide, the passport and the workshop: concepts for the visitor experience, made in the language of the identity itself, the courtyard, the line and the geometric pattern.




Proposed design concepts for applications of the identity, not announced services. What is confirmed will be announced through the official channels.
The museum’s national award for architecture: a prize for building that knows its history, speaks to its time, and uses its material well.
The prize programme is in preparation. Conditions and dates will be announced through the museum’s official channels.
Opening date and visiting hours will be announced through the official channels. For institutional, media and academic collaboration, write to us directly.
Opening date and visiting hours will be announced soon, through the museum’s official channels.
Baghdad, Iraq. The detailed address will be announced with the opening date.